Sound Design & Associate Work
Nine
Musical, Royal Academy of Music, London
Sound Designer
Sister Act
Musical, The English Theatre, Frankfurt
Sound Designer
Performed at the largest English Language Theatre in Europe
Love Them To Death
Play, Underbelly Cowgate, Edinburgh Fridge
Sound Designer
“This is a masterclass in slowly ratcheting up tension with little more than dry ice, an understated soundtrack and tremendously lyrical writing.” The Scotsman 
Off West End Awards : Finalist for Off Fest Award
The Stagey Place : Winner – Best Play at the Edinburgh Fringe
Love Loss and Chianti.
Play, The Assembly Rooms, Edinburgh.
Co-Sound Designer
The Times 
The Daily Mail
Hymn
Play, Almeida Theatre, London
Associate Sound Designer
The Queen Of Hearts
Pantomime, Greenwich Theatre, London
Sound Designer
My 4th Year as Sound Designer for the Greenwich Theatre Pantomime
"The Queen of Hearts is a feel-good return to festive theatre that ticks every box."
Broadway Baby
"Greenwich's annual; festive fare, fully crafted with love, sets the gold standard for pantomime."
British Theatre Guide
Ever Young
Musical, POSK Theatre, London
Sound Design for the Premiere of Russel Hepplewhite’s new Opera.
The Curious Case of Benjamin Button
Musical, Southwark Playhouse, London
Sound Designer
“I was impressed with Michael Woods’ sound design – every word being crystal clear."
Musical Theatre Review
Off West End Awards 2020
Nomination: Best Sound Design
Finalist: Best Musical
Winner: Best Ensemble
Love. Loss and Chianti
Play, Riverside Studios, London
Associate Sound Designer
Sleeping Beauty
Pantomime, Greenwich Theatre, London
Sound Designer
"Greenwich is lucky to have London’s finest and funniest pantomime on its doorstep."
Monstagigz
My 3rd season as Sound Designer of this annual pantomime.
Off West End Awards 2020
Winner: Best Pantomime
(This Isn't) A True Story
Play, Rose Lipman Building, London
Sound Designer
"Joseph Hancock's direction, Michael Woods' sound design and Philip Burke's lighting design place us immediately in an American disco-ball noir"
Broadway Baby 
The Wave
Play, Rose Lipman Building, London
Sound Designer
Everything is subliminal and SubSurface.
Broadway Baby
Robinson Crusoe
Pantomime, Greenwich Theatre, London
Sound Designer
“We’re back for a (paying) return visit over the festive season (we’d recommend it that highly)."
Monstagigz
“A hilarious, family-friendly, intelligent panto, it really doesn’t get much better.”
BroadwayBaby
Cinderella
Musical, Greenwich Theatre, London
Sound Designer
“An exceptional production, you’d be mad to miss it!”
London Theatre 1 
“We wouldn’t be surprised if Greenwich doesn’t retain its crown as the country’s best panto by season’s end.”
Monstagigz
Lovely Ugly City
Play, Almeida Theatre, London
Sound Designer
"Michael did a beautiful job designing sound for Lovely Ugly City...you should work with him!"
Jo Tyabi
Rejsen
Promenade Installation, Theatre Nordkraft, Denmark
Sound Designer
Both sound, lighting and even the smell is absolutely top class. It is truly a sensory experience of high calibre. It is sensory experience and one’s own option for personal empathy in the piece that makes this show, I think, works much better than so many other “normal” theatre. It is hard to describe-it must be experienced. (review translated from Danish)
The Dark Tower
Musical, The Bussey Building, London
Sound Designer
"Probably the biggest Musical Event of the year."
britishtheatre.com
"Full credit should be given to the technical teams who ably navigate the substantial challenge of the ambitious three-storey presentation."
Musical Theatre Review
Fables For A Boy
Musical, LOST Theatre, London
Sound Designer
“Congratulations to Michael Woods for his excellent sound design.”
Musical Theatre Review
“Beautifully Designed...Exceptional Production Values.”
The Stage
Beam 2016
Musical Theatre Showcase, Park Theatre, London
Sound Designer
“Sound designers/operators … Michael Woods & George Lumkin were brilliant; highly recommend."
James Hadley, Executive Director of Musical Theatre Network
Her Naked Skin
Play, Silk Street Theatre, London
Sound Designer
The actors were radio mic’d for reinforcement and so that spatial effects could be added in order to help place scenes in their desired location. By creating nine vocal zones with each zone having independent level and delay control to each loudspeaker, Michael was able to make the PA system disappear whilst achieving exceptional intelligibility.
Glaswegian Beauty
Concert, Milton Court Theatre
Sound Designer
“Mac delivers a deceptively powerful light tenor with a stupendous belt that suits the character perfectly, and thanks to some great sound balance from Mike Woods, reverberates around both floors of the well-appointed Milton Court.”
Musical Theatre
'South Downs' and 'The Browning Version'
Double Bill, Milton Court Theatre, London
Sound Designer
Sound design for two plays with extensive use of surround sound to create an immersive atmosphere.
Hamlet
Play, Riverside Studios, London
Sound Designer
“Light and Sound from Jack Weir and Mike Woods…striking and moody...balance spot on between visual and emotional impact.”
Views From The Gods
“Walls of prison bars are moved in sync, between hands, partnered with music and lighting to create a brooding and dangerous atmosphere."
A Younger Theatre